Rosa Sub Rosa
Rosa sub Rosa 9: Europe 5.1
In the ninth edition of Rosa sub Rosa the Rosa Ensemble cooperates with students of the education Art Media and Technology in Hilversum and composers from the Conservatory of Maastricht. Together with the ensemble they designed an impressive interactive performance in image and sound.As a result they created their own Europe, with al the noise, misunderstandings, brilliant ideas and megalomania that belong to it.
more info and datesRosa sub Rosa 8: Killing Time
In their annual Rosa sub Rosa series the Rosa Ensemble invites students to join in and work for and with the ensemble in making a performance. The series is about music and experiment, development and mutual encounter.
more info and datesRosa sub Rosa 7 - Triptych of Hellish Delights (2010)
In their annual Rosa sub Rosa series the Rosa Ensemble offers young artists a chance to work for and with the ensemble in making a performance. The series is about music and experiment, development and encounter. For Rosa sub Rosa 7: Triptych of Hellish Delights two composers present their highly personal vision of hell: a musical journey in a performance full of surprises.
more info and datesRosa sub Rosa 6 - Drinking Songs (2009)
Utrecht's venerable Rosa Ensemble joins forces with six composers from The Hague in the premiere of "Drinking Songs," a kaleidoscopic series of pieces which examine different aspects of human endeavor through the lens of a drinking glass. We'll have a full bar ready for you, so pick your poison, pull up a chair and join us for a few Drinking Songs...
more info and datesRosa sub Rosa 5 - Performing Music (2008)
4 composers, 5 musicians, 1 cameraman, 20 instruments, 82 decibels, 5 broken strings, 2 flat tyres, 6 missed calls, 7 cups of tea, 1 coffee, 3 carpets, 6 flower pots, 1 allergy, half a sneeze, 1 bad friday, 2 tickets to Vietnam, 1 loud bang, 1 dead rabbit...
more info and datesRosa sub Rosa 4 - Traject (2006)
In this edition of Rosa sub Rosa the ensemble cooperates with two young composers Wilfred de Zoete (1980) and Tom Dicke (1984). As always, experiment, development and encounter are the keywords in the project.
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