Rosa sub Rosa 8: Killing Time
In their annual Rosa sub Rosa series the Rosa Ensemble invites students to join in and work for and with the ensemble in making a performance. The series is about music and experiment, development and mutual encounter.
For their annual Rosa sub Rosa-series the Rosa Ensemble cooperates with
young composers in making a performance. The series is about music and
experiment, development and encounter.
With Rosa sub Rosa 8:
Killing Time composers of the Royal Conservatory The Hague take the
audience on an unpredictable journey through the musical unknown: from
computer games and video projections to telephones and a tin ballerina.
The basic principle
is Rosa’s ‘music as theatre’-method: cooperating with the musicians in
developing the compositions, their execution and the overall structure
of the performance. Working with an overall theme, the composers are not
only responsible for the music, but also for the performance as a
whole, including lights, video, theatrical elements, dramaturgy etc.
Rosa sub Rosa is small, flexible, exciting and fresh. With the project,
the Rosa Ensemble takes its responsibility and invests in the talent of
the future.
Check the developments of the project at the special Rosa sub Rosa Blog: Rosa sub Rosa Blog!
www.melkweg.nl / www.introinsitu.nl / www.provadja.nl / www.theaterkikker.nl / www.koncon.nl
Stephanie
Pan - Zang
Peter
Jessen - Bas
Jeroen
Kimman - Gitaar
Daniel
Cross – Slagwerk/FC Ondes Martenot
Laurens
de Boer – Piano/Harmonium
Assaf
Gidron – Compositie/Cello
Maya
Felixbrodt - Compositie/Altviool
Maya
Verlaak - Compositie/Synth
Hisashi
Ishihara - Compositie/Elektronica
Niels
van der Weiden - Compositie/Theremin
Caspar
Nieuwenhuis - Eindregie
Thomas
Koopmans – Technische productie en Geluid
Edda
Grol - Productie
Melle
Kromhout - PR
Arjen
Barel - Zakelijk Leiding
Rufus Ketting - Vormgeving
